ckn 003 named mechanical invasion, is a maxi ep 12inch published by cyberknife records (from italy). contains 4 tunes produced by infernal noise. a real hardcore ep. unconfortable noises and powerfull dancefloor sounds. to be played with old praxis, fraktal, explore toi and no tek stuff... well done with nice printed jacket!

vinyl addicts and dj robots perk up your ears! live at robert johnson is proud to announce the vinyl extraction of ivan smagghes >live at robert johnson compilation vol.4<. the special super-sound-maxi- single from >its a fine line<, the new project of ivan smagghe teamed up with tim paris comes along with a special remix traitment by roman flügel and ata macias also known as >springrolls in firenze<. c etait bon, tres bon!

2001 classic!!

ultraphat stompin and spooky techno banger !!! prime time monster!! decks exclusive !! ltd premium pack incl maxi cd and stigmata sticker !!!

juan kidd is one of an elite few to bootleg a faithless record and get the seal of approval from maxi jazz himself. pete tongs a fan having spun it in miami and so is cr2 head honcho mark brown, so much so that hes signed this monster to the label. he is man responsible for the dark, techy, house sounds youre hearing in the clubs rightnow - his sound is dirty but expertly polished. his is one of a breed of new school producer/djs with labels queuing up to sign his work. with bags of experience as a dj and engineer, he is breaking through as one of the most respected producers on the underground scene. kidd has many fans inc steve angello, erick morillo who have signed juans tracks to theirlabels size & subliminal and teaming up with mark brown released the massive æburningon subliminal.

funky 2001 electrotechhouse by stella with remixes from sasha funke, suguru kusumi, elmar schubert and hendrik weber aka pantha du prince.

this release is the first part of a remix series, which will bring the mellow atmosphere of alifs album to the club floors and lift it to another level. chloe impressively emphasizes her experimental potential by remixing alif trees reality in a quite dark, but still pushing way. different layers of vocals decorate the rather broken minimal house track and transfer it to a floor filling anthem. the renowned dutch producer-/dj-team tj kong & nuno dos santos already demonstrated their ability to create soulful but still deep and pushing house music. through their past releases on compost black label, such as the tranentrekker/dropout û maxi or the single merging which features vocals by house legend robert owens, the international demand for all kinds of collaboration with the talented tag team increased noticeably.

fearsome speedcore!! from the depths of speedcore hell rigormortis records rises up. a selection of artists bring us some fearsome speedcore.crazy2nr s uncompromising brutality pulls no punches.hatewire is shear brutality from the bowels of hell, topped off with a slab of sickness from the munk! pure terror, not for the weak hearted!

kardinal has become a rising figure of french techno music thanks to a handful of impressive maxi. his rave inspired style, offering a wide range mixture of electro, techno and breakbeat sounds, has been working club goers up into a frenzy! and now he is back with a new single, future dancefloor killer: ‘,fire from the spark ep’,

spanish producer and dj nacho marco comes with the next big thing >estefania<. the man behind loudeast records released on labels like freerange, pacha recordings, ryrallo, so sound, odori, aloia, future groove/mute, shinichi, exun or hypnotic music and remixed tracks for shakira, fangoria, vince watson or satoshi tomie. now he is back with the great >estefania< maxi to spread some romantic house flavour. a1_>estefania< (original mix): simple but powerful this soft and gentle track goes its way through musical sexyness. this track touches the listener very soft and comes up from behind.

schliessfach musik is a new techno label in berlin / germany. as a sublabel from zylinder records the first 10inch maxi single limited to 1000 pcs is comig out. the track >fundamente< on side a was created by the label owner of zylinder records marco fender. clear structures and the variety of samples bound this track to a big club tune. the resident of club watergate (berlin) jens bond designed the track on side b using his modern minimal shuffle sounds made in berlin.

diese platte erzählt ein paar heftige anekdoten von dieser einen tollen party, wo man auf jeden fall hätte gewesen sein müssen. runder kann eine maxi nicht mehr werden, harhar

inkl. markus lange und copa & cabana rmx! special white vinyl pressing...

mathias schaffhäuser bekommt auf seiner zweiten album maxi support von alex smoke, ziggy kinder & and.id. detailierte und gehaltvolle minimaltracks welche elegant & abwechslungsreich ihre runden drehen. support by james holden, butane, martin landsky, seth troxler, gabriel ananda, jeff bennett, maetrik

this the 3rd installment of the 12inch series based on misunderstandings selected by jazzanovas alex barck and named after his monthly night at weekend club in berlin, is surely the hottest yet. arto mwambe has worked his remix magic on roland appel and lars bartkuhn making this a must have maxi single.

fresh inspiring minimal techno / techhouse .the a side is for sergio parrado, who offer us, a tech-house track, direct to the dance floor. tanto mini me vuelve maxi is one of those atemporal tracks, with a powerful and groove bass, crispy synths, awesome efx and a melody that twists itself in a surprising way. a long duration track ready for the more demanding dancefloor. on the bside, we meet 2 tracks from the valencian guy oscar barila. the first one is anxiety, an authentic bomb that, with no doubt, we will listen to many of the big ones. the song has a phrenetic rythm, a wrecker groove and psychedelic and mutant synths, that convert the track in a mortal weapon for the peaktime. the second song of the b side is giro tutto, powerful and smart techno in constant evolution. its percusive rythm is adorned with an acid and bubbly synth that unleashes in 2 explosive breaks.

incl rework by angel molina & die -6- / also maxi cd included

with his new maxi on cocoon, guy gerber, our man for the big emotional moments on the dancefloor, will make our eyes shine bright in christmas anticipation. after releases for his own label supplement facts, the club hits >sea of sand<, >belly dancing< and not to forget, his album debut >late bloomers<, the tel-aviv-based gerber could be found rightly in top positions in many newcomer listings in the past year. 2008 was a little more calm for him, but with >timing<, being just in time for the final, he again sets new standards in linking harmony with a hedonistic state of emergency. while >timing< pleases us like a nocturnal-hypnotic romance in between a disco bassline, >age of love< flair and winterly sleigh bells, >guilty pleasures< takes back this playful love of details to the benefit of a tropical-dense percussive dub, however without appearing less mandatory on the dancefloor. consequently, gerber will be playing together with sven väth at christmas eve in the cocoonclub frankfurt

premium pack ...the first release from the finger tracks gang. percussion techhouse one tracker from funkwerkstatt. well known from superfancy records!! physical only release limited 10inch plus maxi cd vinyl optic !! exclusive on decks.de

der thal is been playing all over germany and hes been trying to build up his own sound and skills. after making a great remix of reynolds track >craft< on trenton 027 he is now giving us 3 great tracks for a full maxi. mentona ep is a bit of a journey into what trenton use to be about at the very beginning with a techno that is very close to the old school detroit vibe… in der thals music there are a lot of melodic sounds and tough tight beats to keep us on the ground. >mentona< and >maszo< are floating on air with strings and synth lines when >puston< reminds us more of some >tejada< grooves! a great ep anyway from der thal who is definitely on the way to become one of these great young gifted producers that care about music mainly.

support von john digweed, dj hell, dubfire, len faki und jeder menge anderer djs... extrawelt sind zurück mit einer neuen 12inch maxi auf traum. nach ihrer lp auf cocoon geben sich extrawelt hier viel mehr >street<. wie extrawelt selbst sagen, geht es hier weniger um elektronische, krachige trax, sondern um das was in ihren live sets seit längerer zeit richtig rockt.

lowkey and kardinal have become a rising figure of french techno music thanks to a handful of impressive maxi. their rave inspired style, offering a wide range mixture of electro, techno and breakbeat sounds, has been working club goers up into a frenzy! and now they are back with their new single, future dancefloor killer, ghost rider

with their debut maxi for datapunk, both are once more impressively proving their good nose for powerful yet harmonic state-of-the-art techno music. plays by dave clarke, len faki, dj hell, miss kittin, pascal feos

ian rogers has worked on different projects such as sweaty men, jean edouard lipa, studio 80 signed in several countries like france, benelux, germany or asia. he also has composed several tracks from the shanna album (l’album interdit) and is releasing just now his first track the reason under his own artist name. muttonheads is definitely found of the track and is making a first remix. major bryce, the reference dj of jumpstyle-hardstyle scene is also very interested in the reason and praises the concept in the pure jumpstyle spirit. a promising future for this new talented artist of the french electro scene

1st pressing comes as ltd. coloured 12inch vinyl! a great disco electro house bomb inspired by the italo bomb by ivan (fotonovella) includes armin prayd remix

since the year 2000, belfastian dj and producer phil kieran is providing us with a constant flow of outstanding records and remixes – among them for novamute and soma – with his energetic sound from the capital of northern ireland. not least has he gotten awareness with his alloy mental project on fatboy slims label skint. his new maxi for cocoon designs two blueprints of uncompromising techno between tradition and modernity. whereas the post-acid sounding a side can be indeed called >wasps under a toy boat<, displaying ongoing >wasp sounds< which are shifted against each other, the break- and bass-orientated b side >tartan paint< sets new standards regarding the sound abstraction beyond popular expectational attitudes. and thus stays a highly functional dj weapon for intelligent techno bashes.

odessa, the wallonian based duo founded by formerly mings female part frederique franke and male partner philip may from geneva, consolidates their state by this new maxi release. minmal technhouse forcing the urge of compositions may their leading cause be called. autoroute and leman are both versatile, playful, exciting minimal tracks provoking this certain todays ecstasy yet avoid being static.

willkommen zur sechzigsten ausgabe unserer speicher serie. auf der a-seite schaut cocoons toni rios mal wieder vorbei und liefert einen ordentlich >aufgesexten< techhousetrack ab, der irgendwo zwischen chicagohouse, akufen und marc kinchen die neue mitte sucht. pan/tones gastspiel ist ebenfalles sehr gelungen! fette club maxi

lowkey and kardinal have become a rising figure of french techno music thanks to a handful of impressive maxi. their rave inspired style, offering a wide range mixture of electro, techno and breakbeat sounds, has been working club goers up into a frenzy! and now they are back with their new single, future dancefloor killer called safari

french techno heros debut album finally gets its second maxi release on boxer.. incl remix by popof

nach dem überzeugenden debut von eve white folgt nun das zweite release des in hamburg/berlin sitzenden labels contentismissing. 2008 erhebt sich crowdpleaser aus dem genfer underground. sein album >2006<, mit dem er in kooperation mit dem lausanner st. plomb auf mental groove ein meisterwerk vorgelegt hat, wurde auf ganzer linie von der presse gewürdigt (album of the year.. in pitchfork media, etc.). zahlreiche albumtitel wurden für dj-mixe von michael mayer, m.a.n.d.y oder hernan cataneo lizensiert. nun folgt eine 12&#8243, maxi auf contentismissing.

penny and ashtray from osaka, whose idols are both john travolta and linus torvalds and who already released the maxi 12inch floppy disco on saasfee connecting japan and frankfurt as progressive bleepfloor rockers deliver 10 hot new tracks for their first album release and avoid to be specified for one typical genre. the secrets of galaxy z include a mixture between future disco, experimental and psychedelic tracks on a weird trip through the universe of bleepy space a delic sounds.

>southbound/pink flamingos< ist die erste vollständige maxi nach ihrem album das 2006 auf playhouse heraus- kam. mit den zwei tracks bewegen sich mymy etwas weg von ihrem trademark-sound, von ihrem eher technoideren stil, und stehen dafür jetzt knietief im deephouse

zum 10 jährigen jubiläum gibt es von den ware chefs schaffhäusser und ziggy kinder eine tolle split- maxi. während kinder seinem souvenir release in nichts nachsteht macht uns schaffi den marathon mann mit einen 14 minuten track

fabian gatti celebrate debut maxi with a deep detroit techno-emphasis and has the right melodies on his side. >windexpress developed with his warm chords, the melody transports and banging snares a hypnotic beam power, and since we are sure, every techno floor in a sea of euphoria soulfull transform.

supported by james holden, kiki, kiko, chloe, glimpse, sian, funk d void, jesse somfay, angel molina the youngsters. after a series of remixes with great acceptance for labels such as glimpse, property of the british man of the moment, for audio invaders, the swiss >boutique label< and factor city, undo presents his first solo 12 since despacio, his album. in >paracaidas<, undo shows that he has learned from legends such as underworld in the precise art of creating outstanding melodies. the track that opens the maxi is a seven minute state of the art piece which will fit all sets at small hours. the darkness that was present in his previous production is still imbued here. an electro-techno tune that refers directly to the past decade

incl great electro tech coburn (great stuff) remix !! the kiosk have succeeded in creating an incredibly catchy, top quality song called gogogo. its a relationship propelled by a deep and steamy groove that sets the dance floor on fire!

new artminimal with jifi that marks of are imprinted this new maxi, continuation logical of his production in the face a >driving one the road< noise, bassline and melodies… classic but efficient. on the b side two tracks >jack moves< baffled and minimalist this track will give you emotion and punch on all dancefloors. and the 2nd >driving in the night< more minimal but all baffled a pure moment as much electro minimal for this maxi. release supported by boys noize, dandi & ugo, david eckenback, john dahlback, kolombo, paul nazca

a-inc or akira ishihara is a new artist from japan and know from numerous tracks on different labels and an own maxi on kiddaz fm. here on junion he comes with three future tech tunes styled up with clickin and sweep soundscapes in a high quality production

nach maxis auf sub static, karloff, etc.., ist hier lumps zweite maxi fuer rrygular nach der 001. das mos ferry tochterlabel ist genau die richtige plattform fuer seinen frickel-minimal

after the big success from jakob seidensticker in collaboration with lexgold on ostwind limited 002, comes here his solo maxi on klanggut rec. and again he shows us the whole wide world of his minimal techno alphabet and this is big. it runs the long distance from a to z, groovy, klicky and full of ideas !! incl piemont remix (aka phunklarique & dejonka)

ltd backstock.. inlc alter ego

fusiphorm (plong, schieber, foundsound) ist ein alter freund des labels und diese maxi sollte eigentlich eine der ersten veroeffentlichungen werden. nun ist sie endlich da. inkl einem remix von nicholas sauser und gemasterd von tim xavier

nu- trance melodies, micro loops of techno and the more sutil funk. butterfly kiss is even more behaved shamelessly and onírico. as dangerous as effective . the remixes completes the eclecticism of the maxi. yes maurice aymard is the dj, his fans dance in the studio. in shuberry it takes advantage of the hypnosis of the track and it reconstructs for the delight, more acid and dark, playing with the climax. in side b, alejandro vivanco, that it already woke up luciano (cadenza) including a tracks of his in his sci.fi.hi.fi. mix for soma, proposes a vision more experimental for the vinil. rythmical, textures, effects…. the risk is paradojica, there are no lines because he does t need them. the projection of his talent scares us , more closer than far away. you judge

the acos coolkas was found in 2001 in omsk russia. the influence of projects as space and cerrone made them to write tracks with space topic and slow dance rhythm. their first maxi on forcetracks contains two tracks, flowing drums, nice melodies, the touch of the 80ties transformed in electro techhouse hightechsound. and a more minimal mix by st. petersburgs dj oleg wave

giorgos gatzigristos fordert eine neue weltordnung. recht hat er. bassdrum an die macht. techno in die charts. die dritte maxi knüpft nahtlos an seine vorgänger an. slicker sound, smarter groove, zwingend tanzbar. zeitlos, funktionaler techno mit individuellem touch

limitierte 4 track bootleg maxi die mit 2 acid & 2 disco versionen aufwartet. crowdpleaser, dfas james murphy und tim goldsworthy haben die schon in der tasche..

zwei alte hasen aus italien hauen hier recht maximal in die minimalkerbe. funky & bewegungsfreudig mit rasanten bassläufen gipfelt die maxi schliesslich im sample: >everybody get on the disco-bus !< tja humor haben sie ja, die beiden..

oriol benedet confirms with the clown the good expectations he raised with genetica, his debut with this label. benedet, a studio virtuoso and professional technician, exploits in his second maxi the infinite possibilities of todays virtual samplers. the clown is a piece of work that does not rely on pre established sounds. it is a lesson about the creative potential of the machines.